BIOGRAPHY

Freya Fang Wang (b. Beijing),  lives and works in London. 

Freya Fang Wang (b.Beijing) is a London-based artist. She holds an MA in Painting from the Royal College of Art, London (2023), and a BA in Mural Painting from the Central Academy of Fine Arts, Beijing (2010).

Wang was a finalist for the Luxembourg Art Prize (2024), a runner-up in the STUDIO WEST NOW Introducing Open Call (2023), and was longlisted for the VAO Emerging Artist Prize (2023). She pariticipated the residency with the Good Eye Project in London (2024), and in A Brief History of Women in Art, an International Women’s Day event hosted by Pillsbury and Artfeed in London (2025). 

Her forthcoming projects include: ESTAMPA 2025, WIT Art Gallery,  Spain(2025); Terra 2025, Apsara Studio, France(2025); The Roamer Project , La Colección Aldebarán, Spain (2025). Wang's work is held in private and institutional collections in the UK, Europe, Asian.

Her work has been featured in group exhibitions by galleries and curatorial projects including:  LBF Contemporary, London (2025) ; Thom Oosterhof Project, Taiwan(2025); Tiderip Gallery, London (2025);  STUDIO WEST, London (2024); Chilli Art Projects, London (2024); STUDIO WEST, London (2023); Silian Gallery, London (2023); The Crypt Gallery, London (2023); Mandy Zhang Art, London (2023); The Art Pavilion, London, (2022) and Soho Revue, London (2022). 

“I see my paintings as mirrors that connect all the creatures in the natural world.” - Freya Fang Wang 

Freya Fang Wang’s practice is rooted in the interconnection between Taoist philosophy and her immersive experience of the natural world, speaking to contemporary philosophical and social concerns around the climate and spirituality. Her visual language is informed by a meditative painting process that engages both her body and consciousness, viewing her ethereal paintings as webs that connect all creatures in the natural world. 

Born and raised in Beijing, she seeks to speak to the universal human experience beyond the distinctions of Eastern and Western cultures, a concern that is present in her approach to materiality. Wang’s meticulous technique combines rice paper, acrylic, ink, plaster, and glass paper, resulting in works defined by their uniquely textured surfaces and delicately layered colours.